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Upgrade is set up as a colorful near-future thriller, but it’s actually pure body horror. It’s a wild collaboration between Blumhouse and the creator of the Saw franchise. Upgrade starts out as your basic near-future cyborg thriller, but there’s a reason it was screening at midnight at SXSW: the filmmakers are totally delighted by graphic violence, and they repeatedly indulge in full-on body horror. No spoilers, but there are four exclamation points after the line in my notebook that says “I’ve never seen a jaw do that before.”
There are good modern B movies – those films that still borrow the old termite-art terminology of back-half programming, because what does "double feature" even mean anymore, but have kept the phrase's shorthand description for guttery, grungy giddiness alive – and then there's Upgrade. There are sublimely ridiculous Robocop rip-offs and bottom-shelf Black Mirror outtakes, and then there's Upgrade. There are sci-fi parables that know how to meld tech-paranoia with body horror, and then there's Upgrade. There are films whose performances run the gamut from unbelievably charismatic to "Unclean! Unclean!", and then there's Upgrade. There are pulp pleasures that make trekking out to a theater completely worthwhile, and then there's Upgrade. Leigh Whannell's hi-fi, lowbrow gem from the House of Blum is exactly the sort of sick, satisfying Grand Guignol genre flick you want smuggled in among the big-ticket summer blockbusters right now. That title works on two levels.
Movie Title: upgrade Detected quality: HD Language: English
Upgrade is a 2018 science fiction body horror film[3][4] written and directed by Leigh Whannell. It stars Logan Marshall-Green, Betty Gabriel, and Harrison Gilbertson. The film follows a man who gets a chip that controls his body implanted into his brain after he is left paralyzed following a mugging.[5] Jason Blum serves as a producer through his Blumhouse Productions banner.
Upgrade follows your standard avenge-the-murder-of-my-kind-wife plot. It stars Logan Marshall-Green — the brooding, put-upon protagonist from Karyn Kusama’s The Invitation — as Grey Trace, a mechanic who’s extremely skeptical of the career his wife Asha (Melanie Vallejo) has chosen as a high-powered… something at a prominent AI firm. One night, after the couple visits the enigmatic wunderkind CEO (high-necked white jacket, general Bieber aesthetic) of her firm’s top competitor, her self-driving car is hacked, and the two of them fly off the side of the highway. A man with a gun for a hand kills her, and Grey wakes up in the hospital as a quadriplegic. Oddly, the Bieberish tech-boy he met once for five minutes wants to offer him an opportunity: become the first human test subject for a new AI called Stem (yup, “STEM”) and let the computer control his body and help him walk again. His thoughts will still be his own, our guy swears up and down. Anyway, it’s not really a choice: how will Grey avenge his wife if he can’t run around and punch people?
Upgrade is one of the most strikingly invigorated sci-fi watches I’ve been awestruck by in quite some time. I’m talking *hard* sci-fi, with callbacks to anything from eXistenZ to The Matrix to Minority Report. Whannell customizes an “efficient” future not so far from our own, where self-driving Loop Dash vehicles chauffeur around bioengineered super-beings and pizzas aren’t ordered, they’re printed. It’s the kind of SmartHouse, techno-takeover world that Apple users dream of, blackened and revenge-ified by Whannell’s oddly apt Her meets Weekend At Bernie’s scramble – with way more splattered blood and guts.
After his wife is killed during a brutal mugging that also leaves him paralyzed, Grey Trace (Logan Marshall Green, SPIDER-MAN: HOMECOMING, PROMETHEUS) is approached by a billionaire inventor with an experimental cure that will "upgrade" his body. The cure - an Artificial Intelligence implant called STEM - gives Grey physical abilities beyond anything experienced and the ability to relentlessly claim vengeance against those who murdered his wife and left him for dead.
Logan Marshall-Green stars as Grey Trace, an “analog” mechanic who loves tinkering with “relic” muscle cars while girlfriend Asha’s (Melanie Vallejo) company produces new-age advancements. He scoffs at man’s dependence on robotic juicer arms and tablet tables, even in front of a Steve-Jobs-level client named Eron Vessel (Harrison Gilbertson). Grey’s but a simple man who likes the feel of grease between his fingers – but then everything changes. While being “driven” home from Eron’s secretive home, Grey and Asha crash in a somersault wreck. Asha is then assassinated by a hit squad, Grey’s left paralyzed and Eron holds the only cure – a “Stem” chip implant that could reactivate Grey’s atrophying muscles (with unexpected side effects).
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